Remuneration for Performers
The objective of the Copyright Directive from the EU is partly to ensure that performers receive fair and equitable remuneration from streaming services
It is formally known as Directive 2019/790 EU and Article 18 specifically gives an additional right for performers to receive remuneration directly from users, i.e. streaming platforms.
This new right tackles the unfair distribution of streaming money as shown in the chart on the right.
List of Resources
The Principle of Appropriate and Proportionate Remuneration of Art.18 Digital Single Market Directive: Some Thoughts for its National Implementation (September 1, 2020) by Raquel Xalabarder. Available here.
Performer Survey Results. Download the full report here.
Public Submission AIE – DCMS Select Committee Call for Evidence: Economics of Music Streaming. Access the public submission here.
Streaming services make up 80% of total recorded music revenues. Below is the distribution of revenue generated from streaming services every hour:
70% of performers don't believe they will see any remuneration if their right is not managed by their local Collective Management Organisation (CMO)
Based on data from survey conducted by C8 Associates in June and July 2020
What is a CMO?
CMOs play a central role within the music value chain. They connect thousands of performers with thousands of users who play music in public places. CMOs also help performers receive remuneration for the use of their songs.
CMOs offer a one-stop shop for straightforward licensing. To ensure that they are fair and equitable, the royalties they demand are subject to independent supervision by public bodies such as tribunals. Generally, CMOs operate on a not-for-profit basis.